Pheelz is a wizard when it comes to this music thing, and we’ve seen it over the years.
I mean, you’ve seen what he can do, whether he’s with Olamide or Fireboy, or with Teni or anyone at all.
Point is, Pheelz is one producer that knows his onions, and for the works he’s done all through these years, he deserves some accolades.
This is a man who is not even 30 yet but has been behind at least fifty big hits from the past decade. And that number is only increasing.
This man produced albums for Olamide, produced the whole of Fireboy‘s classic, “Laughter, Tears & Goosebumps,” and even gave Teni her biggest hit ever, “Billionaire.”
And no, he might be very young, but he’s not new in this game. He’s been here for quite a while.
Although he’s worked with Olamide before then, his work became very notable around the time when he did Olamide‘s “First Of All” a very big hit on the streets in 2013.
He then went on to work with Olamide on the “Street OT” album and the much acclaimed “Eyan Mayweather” producing such hits as “Melo Melo” and the “Eyan Mayweather” track.
While doing all of that, he managed to gain prominence in the hip-hop community, producing songs for M.I Abaga (“Human Being“) and Vector (“Popular“) way back in 2014.
The only other person who had that kind of reach is probably Masterkraft.
In 2016, he produced albums for both Lil Kesh and Adekunle Gold, two of the brightest young stars at the time. He made such hits as “Is It Because I Love You” and “Pick Up” at that time.
In recent times though, while he’s not fixated anywhere, he’s managed to pull off some impressive ones. Most notable of all is “Triumphant” off Olamide‘s last studio album and “Crown Of Clay” by M.I and Vector.
Without saying more, it is evident that Pheelz’s contribution to this industry in the past decade is unrivalled. The only other two producers you can name with him are Don Jazzy and Masterkraft.
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